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Lulu Keating is an award-winning writer, producer and filmmaker whose work has been presented internationally. After studying Media and Communications at Vancouver School of Art, and Motion Picture Studies at Ryerson, Keating spent several years working through the Atlantic Filmmakers Co-op during the eighties. She began then and continues to produce one film a year. Her work is predominantly independent dramas and documentaries, and she has also produced for the NFB, CBC and History Television.
Keating actively participates in Canada’s burgeoning film community. She was one of the new wave of independent Canadian filmmakers who changed the shape of Canadian cinema. She was directly involved in the organization of film and video co-operatives across Canada, culminating in the formation of a national organization. In her new community, Dawson City Yukon, this work continues with her participation on the boards of Moving Images Distribution and Dawson City Arts Society.
In 1985 Keating incorporated her own company, Red Snapper Films Limited, which has produced over two dozen films including her widely-loved tongue-in-cheek self-portrait Lulu’s Back in Town, the internationally acclaimed animated documentary about her huge Catholic family, The Moody Brood, and her feature film, shot in Zimbabwe, The Midday Sun. Keating’s films have screened at festivals from Chicago to Copenhagen and her work has been honoured with numerous awards for best documentary, short film, editing and visual production at festivals around the world.
Keating is active on regional and national organizations, serving on numerous juries and boards of directors. She has taught from coast to coast to coast, for Nova Scotia College of Art and Design, Emily Carr and Klondike Institute of Art and Culture. Keating’s film work has been presented in retrospectives across the country. In 2001, Keating won a residency in Dawson City Yukon, where she now lives.
Currently, Keating is developing two feature films, Based on a True Fantasy and Klondike Kalahari. As well she is seeking financing for a documentary about First Nation elder, photographer JJ Van Bibber.
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Her Man Plan |
Short Film |
2010 |
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DOG = GOD |
Short Film |
2009 |
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Brain Clever |
Short Film |
2009 |
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NiheDahch’e Sho Tr inlay (Welcome) |
Informational Video |
2008 |
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Getting Real |
Short Drama |
2008 |
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Dawson Town Melted Down |
Filmmaker |
2007 |
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Short Film |
Klondike Kalahari |
Screenwriter |
2006 |
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feature screenplay in
development |
Inside Out
3:46 min. |
Writer, Director, Editor |
2005 |
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personal documentary |
My Hurricane
5 min. |
Writer, Director, Editor |
2004 |
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experimental drama |
Tit for Tat
4 min. |
Co-Writer, Director, Editor |
2003 |
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political music video |
All Things Nice
4:30 min |
Co-Writer, Director, Editor |
2003 |
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satirical documentary |
Ladies in Waiting
9 min. |
Writer, Director, Camera, Editor |
2000 |
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experimental documentary |
Moody Brood 39:30 min |
Writer, Director, Narrator |
1999 |
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animated doccumentary |
Madame Ada: More Class than Flash
44:25 min. |
Writer, Director |
1998 |
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documentary for History Television |
Come on In: Women's Centres in Nova Scotia 19:15 min |
Co-writer, Director |
1995 |
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Information Video |
Ann and Maddy 24 min |
Director, Co-Producer |
1992 |
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Drama |
In Service 23 min |
Co-Writer, Director, Producer |
1990 |
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Drama |
The Midday Sun 92 min |
Writer, Director |
1989 |
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Dramatic Feature, filmed in Zimbabwe |
Enterprising Women 30 min |
Writer, Co-Director |
1987 |
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Documentary |
Rita MacNeil in Japan 25 min |
Director |
1985 |
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Documentary shot in Japan |
City Survival 25 min |
Co-writer, Director, Editor |
1983 |
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Drama about a Nova Scotian adjusting to life in a big city |
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- Jury: Atlantic Film Festival, Manitoba,
Canada Council, Chambers, Multicultural Awards
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- Residency: Klondike Institute of Arts and Culture, Dawson
City, Yukon, April, 2003
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- Alibi Unplugged: three screenplays submitted, all
recommended for public reading, 2001
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- Progress Women of Excellence Award, Arts and Culture, 1997
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- The C.B.C. Pioneer Award, 1995
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- Best Director Award, and Best Production, St. Francis
Xavier Univ. Play Festival, 1971
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- Women’s Television Network: Through
Her Eyes. Four-hour retrospective, 1995
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- Moderator, Local Heroes Festival, Declarations of
Independents program,
1987-1997
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- Co-Host Atlantic Filmmakers,
series of 12 X 1 hour profiles, C.B.C.1982-83
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- Dawson City International Short Film Festival, Dawson City Yukon, 2003
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- Reel Madness Film Festival, Victoria, 2001
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- Blinding Light Cinema, Vancouver, 2000
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The Moody Brood
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- Finalist, Best Writing, Hot Docs Festival,
Toronto, 2000
- Gold Camera Award for Best Documentary,
U.S. International Film and Video Festival, Chicago, 1999
- Best Atlantic Documentary, Rex Tasker
Award, Atlantic Film Festival, 1999
- Honourable Mention, Columbus International
Film and Video Festival, 1999
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Ann and Maddy Awards
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- Gemini Nomination, Best Actress, Jennifer Phipps
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Rita MacNeil in Japan Awards |
- Best Editing, Atlantic Film Festival, 1986
- Best Visual Production, Atlantic Film Festival, 1986
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City Survival Awards |
- Best Short Film, Atlantic Film Festival, 1986
- Invited, Local Heroes Festival, Edmonton, 1984
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Lulu’s Back in Town Awards |
- Honorable Mention, Yorkton International Film and Video Festival, 1981
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The Moody Brood
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- Copenhagen, Denmark: “Crossing Boundaries” Festival, April, 2000
- St. John's International Women's Film and Video Festival, October 1999
- Antigonish Women's Film Festival, November 1999
- Rebcontres International Documentaire de Montréal, December 1999
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The Midday Sun |
- Summer Institute of Film, June 1989
- Atlantic Film Festival, September 1989
- Chicago International Film Festival, October 1989
- Vancouver International Film Festival, October 1989
- Festival du monde, Montréal, 1989
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- Dawson City International Short Film Festival: Festival Programmer / Producer, Dec. 2004 – April 2006
- Rim Shots Media Arts Festival: films from the North, the Atlantic, and the Pacific, Vancouver June, 2004
- A Sense of Place: Canadian Illustrations: Films from Atlantic Canada, Pacific Cinematheque, Vancouver, Feb. 2003
- Antigonish Women’s Film Festival: Nova Scotian Women’s Films, Antigonish, Nova Scotia. September 2002
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- Nova Scotia Art Bank – The Moody Brood
- Public Archives of Canada – several films
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1982-84
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Summer Institute of Film, Algonquin College, Ottawa
- Producing Drama 1984
- Advanced Screenwriting, 1983
- Intermediate Screenwriting, 1982
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1976-77 |
Ryerson Polytechnic Institute, Toronto |
1969-72 |
St. Francis Xavier University, Antigonish, Nova Scotia
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1968-69 |
Couvent de Levis, Levis Quebec
- Grade 11 – all courses in French; averaged 80% by June graduation
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2006 |
Strategic Partners, Atlantic Film Festival, Halifax |
2003 |
Strategic Partners, Atlantic Film Festival, Halifax |
2002 |
Tools of the Trade, sponsored by B.C. Film |
2002 |
After the First Draft, Praxis |
2001 |
Drawing on Film, Cameraless Animation, Cineworks |
1995 |
Understanding Story, Academy of Canadian Cinema |
1991 |
Acting Techniques for Directors Writers and Producers,
Judith Weston, Rockport Maine Workshops
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1990 |
Directing for Film, Paul Gray, Montreal |
2003 – 2004
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2003-2004 |
Nova Scotia College of Art and Design University
Halifax, Nova Scotia
Film department Sessional
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2003 |
Emily Carr College of Art and Design
Vancouver, B.C.
Senior animation students Experimenting with Animation for Industry Professionals |
2002 |
First Works Program: for Nova Scotia Film Development Corp.
Antigonish, Nova Scotia Film theory, production - 9 weeks |
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- Dawson City Arts Society
- Yukon Film Society
- Northern Film and Video Industry Association
- Praxis Centre for Screenwriters (fellow)
- Moving Images Distribution - Board of Directors (2001 to 2003, 2004-2006)
- Atlantic Filmmakers’ Co-op (past President, Board and Committee member 1980-1986)
- Linda Joy Media Arts Society (Founding member, past President)
- National Screen Institute of Canada (Board of Directors, 1992-94)
- Nova Scotia Talent Trust, Board of Directors and Jury, 1994-96
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Languages: English and French
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